Who is recognized as a visionary mystic among late 19th-century American painters?

Frederic Edwin Church is recognized as a visionary mystic among late 19th-century American painters primarily due to his unique blend of naturalism and romanticism, which often conveyed a sense of the sublime. His artwork frequently explored themes of transcendence, spirituality, and the relationship between humanity and the natural world.

Church was influenced by the Hudson River School, a movement that emphasized the beauty of the American landscape. However, he took it a step further by incorporating dramatic lighting and atmospheric effects in his paintings, creating immersive experiences that evoke a spiritual connection to nature. This mystical quality in his work is particularly evident in pieces such as "The Heart of the Andes," where the intricate detail and vibrant colors reflect not only the beauty of the landscape but also a deeper, almost ethereal presence.

Understanding the significance of Church's work and his contributions to American art allows for a deeper appreciation of the role that mysticism and spirituality played in shaping artistic expression during this time period. Other artists may have explored themes of realism or focused on different aspects of American life, but Church’s visionary approach places him at the forefront of the late 19th-century mystical movement in American painting.